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About Ellsworth.

The project
Daniel Hamilton

Ellsworth is a personal project created and designed by Daniel Hamilton and built for educational and research purposes. It connects open-access artwork data from museum collections and consolidates them into a single, searchable intelligence layer, with tools to discover movements, trace influence, and interact with the collection in ways no single museum could offer on its own. It's intended to encourage exploration, learning, and a deeper understanding of art history through its many themes, stories, and connections.

Writing

I believe AI offers educators, researchers, students, and art history lovers new ways to stimulate curiosity, develop and refine critical thinking skills, and engage more deeply in intellectual discussion when framed through the perspectives of agents designed as art critics. These critics are crafted with their own unique experiences, emotions, personalities and narrative voices based on the world's top and lesser unknown art critics and curators. I could go on, but, I write about the project on my personal site.

Data & sourcing

Museum artwork data is provided under open access terms. Wikipedia & Wikidata content is licensed under CC BY-SA 4.0. Biographical facts such as birth and death years, nationality, and movement affiliations are sourced from Wikidata and museum records.

AI-generated content

Artist and movement profiles, including pull quotes, biographical text, and data stories, are written by Claude Opus 5.5 (Anthropic) from each artist's Wikipedia article and the museum records of their works, and are checked for accuracy by sampling. They can still contain errors and may not reflect scholarly consensus. If you spot one, use the “Report an inaccuracy” link beneath the profile. Exhibition reviews in the Play section are also AI-generated, written by a panel of agent critics.

Accessibility

Ellsworth targets WCAG 2.2 Level AA, verified through a full remediation pass covering landmarks, headings, focus management, keyboard navigation, dialog semantics, color contrast (including icon-only controls), and support for reduced-motion preferences.

Every route below is checked automatically before anything ships: a Playwright + axe-core suite (24 tests, every route in both light and dark) runs against the full site, and Lighthouse accessibility audits are re-verified whenever a change touches shared layout or global styles.

Home100
Figures100
Movements96
Works100
Events100
Palettes100
Exhibitions96
Exhibition builder100
Critics100
This page100

The two 96s share one cause: palette-color swatch buttons on card listings sit under the 24×24px minimum touch-target size (WCAG 2.5.8), which is tracked for a fix. Everything else on those pages passes clean. Detail-page templates (artist, exhibition, event) are covered by the same automated suite, not listed individually above since each renders different content per page.

Last verified: September 2026.

Feedback & bugs

This project is intended for art education and research and is growing constantly. If you find inaccuracies or bugs, use the Bug Reporter in the lower right of the page to share them. I read every one and will address it. I hope you have fun and learn something new!

Recent updates
2026-10
Artist and movement profiles were rebuilt for accuracy. Each is now written from the artist’s Wikipedia article and the museum records of their works in the catalog, instead of from a name and dates alone, and describes people by what they actually made: a luthier is no longer called a painter. Where little is recorded, the profile is short and says so. Profiles are written with Claude Opus 5.5 and stored, so every visitor reads the same text. In a claim-by-claim fact-check of a sample, the share of claims contradicted by sources fell from 16% to under 2%.
2026-10
Every profile now names the sources it was written from and has a “Report an inaccuracy” link underneath, so corrections can come straight from readers.
2026-10
Corrected artist records across the catalog: nearly 90 recorded genders that disagreed with Wikidata, several birth and death dates, a handful of artists linked to the wrong person entirely, and about 250 artwork dates that were really the artist’s birth year carried over from museum records.
2026-09
Custom exhibition requests are smarter and more accurate: freeform prompts now recover gracefully instead of returning no results, and thousands of artworks were individually tagged for subject/theme so a themed show pulls in pieces that actually depict it, not just anything by a loosely-associated artist.
2026-09
Added a real accessibility breakdown, with current Lighthouse scores per route in the Accessibility section above, instead of just a footer badge.
2026-09
Exhibitions redesigned: a guided step-by-step curation wizard, critic-scored roster review, and easier navigation back to the exhibitions overview from anywhere in the flow.
2026-09
Landing page redesigned around a full-bleed collection hero and a consolidated Discover / Visualize / Play overview.